Grades, LUTs and the colour tools I use on every cut. Built in DaVinci Resolve, made to drop straight onto your timeline.
A complete DaVinci Resolve power grade with separated nodes for exposure, contrast, colour balance, skin tone and final look. Drop it on the timeline, dial it in, ship the cut. The Power Grade works in the free version of DaVinci Resolve.
Sixty-four .cube LUTs across six packs: cinematic, film print, iPhone Apple Log, two movie-look sets and vintage film. Drop them on a clip in Resolve, Premiere, Final Cut or CapCut and the look lands in one click.
Twenty .cube LUTs built for DJI D-Log and D-Log M footage: ten clean Rec.709 conversions and ten stronger looks tuned for aerial landscapes, sky and water. Drop one on a clip and the drone shot is graded in one click.
Twenty .cube LUTs built for DJI Osmo Pocket and Osmo Action footage in D-Log and D-Log M: ten clean Rec.709 conversions and ten punchier looks for action and travel. Drop one on a clip and the shot is graded in one click.
Twenty .cube LUTs for iPhone footage: ten Apple Log conversions with film-print looks and skin-safe colour, plus ten film-stock emulations (Kodak Gold, Ultramax, Agfa, Ektachrome, Vision3) with expired-film variants. One click from flat log to a finished look.
Sixteen .cube LUTs for everyday camera footage, no log profile needed: one clean base look, four Creative looks in a normal and a Strong version, four Strong Creative variations and three Extra looks. Drop one on a clip and the shot is graded in one click.