White Balance Guide
Read the colour of light. Lock manual white balance, match cameras across a multicam shoot, and stop fixing colour drift in post.

I've spent the last decade behind cameras for brands, founders, and broadcast. Started in run and gun video work, ended up running a creative studio. Somewhere in the middle I fell in love with teaching the craft, because most of what I learned the hard way could have been a one page guide.
Martin's Guides is that one-page reference — built for operators who want the craft distilled, not buried in a course. The Vault holds it all. And if you want to go deeper into colour, the lab is open.

A decade behind cameras for brands, founders, and broadcast.

Cinematography, colour grading, and production guides.

Everything you need to understand exposure, motion, light and lens. These are the same reference sheets I keep open on set. Built clean, written tight, designed to be printed and pinned to a wall.
Read the colour of light. Lock manual white balance, match cameras across a multicam shoot, and stop fixing colour drift in post.
From 16mm to 135mm. Compression, distortion, working distance, and what each focal length does to a portrait. Choose the right lens for the right story.
A PAL workflow guide to frame rates. 25, 50, 100, 200fps. When to reach for each, what light you need, and how slow motion really works in the edit.
Why every serious operator carries a variable ND and a circular polariser. Stop reflections, hold shutter, and protect the cinematic look in any light.
A complete pro workflow for the Sony FX3. S-Log3, Cine EI, 4:2:2 10-bit, native ISO 800, 24fps. Nine settings that turn a small camera into a cinema rig.
How ISO shapes noise, dynamic range and your final image. Native ISO, dual gain, and when to push the sensor versus when to add light instead.
The 180 degree rule, why it matters, and when to break it. How shutter angle defines motion blur and gives footage that unmistakable film quality.
Natural light, artificial light, and how to shape both. Key, fill, backlight, and the logic behind building a clean exposure on set.
Tripod, gimbal, handheld, slider. The right tool for the right shot, and how to keep motion intentional instead of accidental.
F-stops, depth of field, and the relationship between aperture and light. Control focus separation, manage exposure without touching ISO, and choose the right aperture for every shot.
Render and export settings in DaVinci Resolve. Codecs, bit depth, colour space and the delivery presets that keep your final files clean from timeline to client.
Where the guides end, the lab begins. A DaVinci Resolve power grade built for real client work. Separated nodes, dialled in, ready to drop on the timeline.
The grade I run on most client work. A complete DaVinci Resolve power grade with separated nodes for exposure, contrast, colour balance, skin tone, and final look. Drop it on the timeline, dial it in, ship the cut.
Build your kit in one cart. Add individual guides above, grab the full library, or drop in the Colour Lab power grade — then check out everything together in a single payment.
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